Choreographies

🔗 YouTube In this piece, the stage is conceptualized as a museum, meticulously divided into two distinct sections: Upper Section: Drawing inspiration from Wassily Kandinsky’s Composition VIII, the dancer embodies the abstract elements of points, lines, and planes, translating these geometric forms into dynamic body movements. The performance harmonizes with digital animation, creating a cohesive stage artwork that reinterprets Composition VIII through a blend of physicality and technology. Lower Section: Inspired by Ira Elshansky’s animation whiteland, this section portrays a transformative journey from despair to hope—“嗐！这烂泥一样的人生” (Alas!...

The first outdoor environmental dance performance at Wuhan Conservatory of Music, which explores the intricate relationship between dance, space, and the environment, transforming familiar locations into vibrant art spaces. “Every Space is an Art Space” is our central theme. We believe that art is not confined to traditional venues; it can be found and created anywhere. By performing in outdoor locations, we challenge conventional notions of art spaces and highlight the potential for creativity in every corner of our environment....

🔗 YouTube In this piece, I converted the body movements of dancers into voice through the application of posture sensors based on the Arduino platform, integrating these movements with parameters such as pitch, frequency, volume, and timbre in Max/MSP, This explores the connection between music and body movements (dance) and makes innovative attempts.

🔗 Youtube We applied the method of controlling variables, gathering a variety of sounds from daily life (wind, water, electricity…), different kinds of music, and of course, my own voice. By considering their unique timbres, rhythms, and emotions, we allowed these sounds to play in sequence, prompting our bodies to respond either directly or indirectly. Now, let’s see what sounds unfold in this theater…

🔗 YouTube Got inspired by the allusion: “The mantis stalks the cicada, unaware of the oriole behind.” I am deeply fond of classical Chinese prose, where words are refined and precise, conveying rich and profound meanings with just a few phrases. It exhibits a beauty that is both concise and powerful. I would like to share the original text here: 园中有树，其上有蝉，蝉方奋翼悲鸣，欲饮清露，不知螳螂之在后，曲其颈，欲攫而食之也，而不知黄雀在后欲啄而食之也。《说苑·正谏》 In this piece, the relationships between the three characters mirror the dynamic tension among the mantis, cicada, and oriole....