Experiences

Supported by: Keio University, Keio Media Design Working with Hong Kong performer Siufong Yeung and Japanese wheelchair dancer Kenta Kambara, we recently held a workshop, exploring how artists of different abilities engage with motion capture and avatar remapping in dance. Rather than framing technology as something that “empowers,” we looked at how each performer negotiates, adapts, and reimagines their practice when mediated by digital avatars. The sessions opened up fresh ways of thinking about inclusive, technology-supported performance, and highlighted the creative potential of movement beyond conventional forms....

Supported by: Exhibition Website: participatory art for climate action 氣候行為藝術工作坊 This project uses speculative design strategies to immerse artists in an alternative future of climate change, and ask them to design movements, engagements, and artifacts that show this future from a non-human perspective to visitors to Taikwun. Selected artists will be given workshops to learn movement, animation, artifact construction strategies from leading professors at BU, PolyU, APA, and CityU. Taking the perspectives of non-humans in a future of climate change, they will then ideate, design, and create a movement and artifact-based engagement for visitors to Taikwun on 9 March 2025....

Supported by: The Hong Kong Academy for Performing Arts., W3AWARD, Manpower Developer Award Scheme, Labour Department, Equal Opportunities Commission Invited as a presenter and performer at the SWEAT Hong Kong International Dance Workshop Festival 2025 (HKAPA), I shared a completed paper on motion capture and dance, and also introduced a new direction on inclusive community — where a wheelchair dancer and a standing dancer work together in one motion-capture system to improvise....

Hosted by DOSSIER and co-organized by the Beijing Drama Carnival, this project explores the diverse possibilities of shanzhai culture through performance art, the creative market “Prototype Electricity Conference,” internet gaming, workshops, site-specific exhibitions, and forums. It focuses on artistic creation, digital technology, cultural production, and sustainable living—blurring the boundaries between the real and the virtual, the experimental and the everyday. As the project’s art manager, I oversee an immersive game experience that invites participants to ask: What happens when you take over someone else’s body?...

Sharing some rehearsal stills:

🔗 Youtube We seldom get opportunities to share our deeper thoughts and emotions with each other because societal norms discourage these informal practices, favoring formal discourse over emotional expression. Most importantly, without meaningful communication with others, we seem to lose our ability to recognize our own emotional state. Relato is a GenAI game designed to restore our capacity for self-disclosure through interaction and relationship-building with other agentic individuals in the game world....

Supported by: HKADC, Studio For Narrative Spaces, MetaObjects Exhibition Website: Dreamscapes Dreams are among the oldest and most unconscious visual illusions experienced by humans. Dreams are not fantasies but echoes of creativity, insight, and the subconscious. When we fall into dreams, everything becomes either softer or sharper than in real life, and the time boundaries gradually blur into a realm unbounded by the tangible world. It allows the dreamer to transcend the limitations of space and time, encountering both the past and future....

I’m an ENFJ, passionate about helping people grow and thrive. Teaching brings me joy, and I love creating a supportive and inspiring learning environment. For three years, I worked as a choreography teacher, guiding students in movement composition and performance. Teaching has been an incredibly fulfilling journey, allowing me to nurture creativity and confidence in my students. （My beloved students）